{"id":8900,"date":"2025-12-08T18:08:01","date_gmt":"2025-12-08T17:08:01","guid":{"rendered":"https:\/\/www.cinziachiullipercorsiartistici.it\/zaffera-touji-dentou\/"},"modified":"2026-05-24T20:35:38","modified_gmt":"2026-05-24T18:35:38","slug":"zaffera-touji-dentou","status":"publish","type":"page","link":"https:\/\/www.cinziachiullipercorsiartistici.it\/ja\/zaffera-touji-dentou\/","title":{"rendered":"Zaffera\uff1aQuattrocento\u306e\u9676\u78c1\u5668\u4f1d\u7d71"},"content":{"rendered":"[vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]\n

Zaffera\u306f\u30a4\u30bf\u30ea\u30a2Quattrocento\u9676\u78c1\u5668\u306e\u4e2d\u3067\u3082\u6700\u3082\u9b45\u529b\u7684\u306a\u88c5\u98fe\u6280\u6cd5\u306e\u4e00\u3064\u3067\u3059\u3002
Cinzia Chiulli la reinterpreta rispettando materiali, pigmenti e metodi storici, dando vita a opere dal blu intenso, in rilievo, vibranti di movimento.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_gallery css=”” type=”image_grid” images=”3128,3127,3125,3124,3122,3120,3119,3118,3117,3116,6013,6011,6009,6007,6005,6003,6001,5999,5997,5995,6036,6034,6032,6029,6027,6025,6023,6021,6019,6017,6015″ image_grid_loading=”default” layout=”4″ item_spacing=”5px” gallery_style=”7″ load_in_animation=”none” img_size=”500×500″][\/vc_column][\/vc_row][vc_row type=”in_container” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none”][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_column_text css=”” text_direction=”default”]\n

Zaffera\uff1a\u30a4\u30bf\u30ea\u30a2Quattrocento\u3067\u751f\u307e\u308c\u305f\u82b8\u8853<\/h3>\n

La Zaffera \u00e8 una delle tecniche pi\u00f9 affascinanti della ceramica decorata del Rinascimento italiano. Compare tra la fine del Trecento e gli inizi del Quattrocento nelle botteghe dell\u2019Italia centrale\u2014Deruta, Orvieto, Gubbio, Siena\u2014dove i maestri ceramisti iniziarono a sperimentare l\u2019uso dell\u2019ossido di cobalto in rilievo per creare superfici vive, materiche, vibranti.<\/p>\n

\u4f55\u4e16\u7d00\u3082\u751f\u304d\u5ef6\u3073\u305f\u9752<\/h3>\n

Il tratto distintivo della Zaffera \u00e8 il carattere tridimensionale: il colore, anzich\u00e9 essere steso in modo piatto come nella maiolica, viene applicato a rilievo, creando motivi che si alzano dal fondo dell\u2019oggetto.
Nel Rinascimento questo blu intenso veniva associato alla preziosit\u00e0, al sacro, alla regalit\u00e0: molti oggetti decorati in Zaffera erano destinati a famiglie nobili, monasteri o cerimonie importanti.<\/p>\n

Cinzia Chiulli\u306b\u3088\u308b\u73fe\u4ee3\u7684\u518d\u89e3\u91c8<\/h3>\n

Cinzia riprende questa antica tradizione utilizzando materiali coerenti con la tecnica originale (impasti argillosi, ossidi naturali, smalti tradizionali) e reintroducendo lo spirito del lavoro delle botteghe quattrocentesche: lentezza, precisione, manualit\u00e0 assoluta.<\/p>\n

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Il risultato \u00e8 un dialogo tra passato e presente: la tecnica resta quella storica, ma il linguaggio decorativo diventa personale, narrativo, riconoscibile.<\/p>\n[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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